Don’t ask me how I came to have these two books on my shelves, their acquisition is lost in the mists of time. But a recent conversation with Jackie @ Death by Tsundoku on a Grab the Lapels post spurred me to review some more women’s SF, and Palmer’s books, published by The Women’s Press in 1985 and 1990, stood out. And yes, I did recommend that Jackie, an American (from the Mid West), look at recent Australian women’s dystopian fiction, and I think she will.
As soon as I started reading I had this picture in my mind of To the Manor Born English village life, not the privilege, but those tweedy, sensible, middle class women. In the first page Diana is arguing unsuccessfully with her old-fashioned doctor for Hormone Replacement Therapy while he insists on prescribing librium. And I thought, the author has got to be writing this from the heart.
Turns out (according to the Encyclopedia of Science Fiction) Palmer was born in 1946. The Moosevan series which she began with The Planet Dweller (1985) and Moving Moosevan (1990) has since been continued with Duckbill Soup (2011) and Brassica Park (2018). Palmer has written other SF and also, as Dandi Palmer, YA and children’s books. The bio she supplied to The Women’s Press reads
Jane Palmer comes from a working-class background and describes herself as having been ‘almost’ educated. She has been employed in a variety of capacities: telephonist, ledger clerk, receptionist and milliner. She has ‘manged to avoid’ marriage and her beliefs are ‘not many’.
So your standard second-wave women’s libber then.
Diana is a middle-aged single mum – so not your average SF hero – working as secretary (and fill-in guide), terrifying her co-workers with her mood swings, in an “iron age village” museum, adjacent to a radio telescope array. She hears voices, one voice, really, loud and clear, in her head. Eva, her best friend and former school chum is the astronomer in charge of the radio telescope, and her drunken Russian neighbour, Yuri, who has his own problems with voices and manifestations, turns out to be Eva’s secret husband (but only to stop him being deported). Their sworn foe is the horsey, fox bothering, Mrs Daphne Trotter.
Yuri, who has his own optical telescope, has after years of observation calculated that bodies are coming into alignment in the asteroid belt in such a way as to presage the end of the earth. The voice in Diana’s head is Moosevan, an incredibly ancient being who occupies a whole planet. A fairy ring in Diana’s garden turns out to be a ‘portal’ – space is not curved but crinkled and where the folds touch you may step through to another part of the universe – First Uri is transported, then Diana follows him. Moosevan, has fallen in love with Uri and Uri is inclined to reciprocate.
The Mott, vile alien space engineers, are engaged in destroying Moosevan’s planet. Moosevan was not worried, she had a new planet ready to fall back on … Earth. On learning that Earth is already occupied, Moosevan decides not to transfer, meaning that she will die. Diana must work out how to save her, and save Earth.
I’m in Melbourne and haven’t really had a day off. This morning (Weds) I will finish loading and head back to Perth. Hopefully, by Sunday, I will have read book 2, Moving Moosevan – I was planning to review them jointly – and will put up a second post.
Jane Turner, The Planet Dweller, The Women’s Press, London, 1985 (available “free” on Hoopla as audiobook here (not an option that I’ve checked out))
“So your standard second-wave women’s libber then”.
Huh?
LikeLiked by 1 person
I was there! Women’s Libbers eschewed marriage, let their hair grow, and strode in to take control.
LikeLike
Hmpf…
LikeLiked by 1 person
What Lisa said! I reacted exactly the same way. In the words of she who shall not be named, “Please explain”!
LikeLiked by 1 person
To take the genre of the geekiest boys and to make the central figure the woman of their nightmares was genius.
LikeLiked by 1 person
I love how these old science fiction novels always have some space creature that is moving on to Earth because it’s just there, looking so conquerable.
LikeLike
You’re right. I argue that SF always reflects what society was worrying about at the time so what is Palmer trying to tell us – that we should value our planet more or we’ll lose it?
LikeLike
Well, we in America don’t value anything until it’s gone, so I think we’re firmly in the worry-we’ll-lose-it-when-doom-is-imminent camp.
LikeLiked by 1 person
What a fun premise for the story! It’s nice to hear about 1980’s science fiction written by a woman, set in a shockingly normal setting. I am certainly intrigued. The idea of space bring crinkled is something I first read about in A Wrinkle in Time. I’ve never read about it elsewhere, though. Did the science feel believable in this novel?
LikeLike
I think Palmer had great fun writing the Moosevan books and has included just enough science for plausability without intending us to take it seriously.
LikeLiked by 1 person
This does sound like such a great setting. I wonder if I can get hold of the audio book for Mr Liz then see if I’d like it!
LikeLike
I had thought these books too obscure to have audiobook versions, but I hope they do, I’m sure you would both enjoy them.
LikeLiked by 1 person
[…] Valdemar fantasy series, so I should have some idea how it is done. Moving Moosevan follows on from The Planet Dweller so closely that they might better have been published in one volume. Every now and again Palmer […]
LikeLike