Miles Franklin, whose champion I am meant to be, is sometimes a terrible writer and this is one of those occasions. She tries very hard to be ‘cute and succeeds only in being annoying. This was a stage she went through and she (largely) got over it.
From the end of her ‘enthusiastic beginner’ stage which saw all her best writing and ended with Some Everyday Folk and Dawn in 1909 when she was already 30, to the beginning of her straight ‘bush realism’ phase which begins with the first Brent of Bin Bin novel 20 years later, Franklin had only one novel published, The Net of Circumstance (1915) by Mr & Mrs Ogniblat L’Artsau, which sank without a trace, and a mountain of unpublished plays and novels.
Over that period, which of course includes her service in the First World War (here), Franklin experimented with her style, beginning with On Dearborn Street, written around 1915 and not published until 1981 and ending with two ‘Mayfair’ drawing room comedies written in the 1920s. They were Merlin of the Empire published as Prelude to Waking by Brent of Bin Bin in 1950, and Bring the Monkey published in 1933 after the success of the first three Brent of Bin Bin novels and the relative success of Old Blastus of Bandicoot (1931) under her own name.
I would like to have said more about the gestation of Bring the Monkey but my reference library is home and I am not, though I might still update this review at a later date for my own satisfaction if for no one else’s.
The Miles Franklin character is Ercildoun Carrington (Gerald Murnane too is fascinated by the name Ercildoun – see Border Districts), a thirtyish middle class woman who moves into the flat of her elegant best friend, Zarl Osterley, to help care for her new monkey, Percy Macacus Rhesus y Osterley. This business with names just goes on and on. Zarl is invited to a house party at Tattingwood Hall in Supersnoring, by Lady Tattingwood the second wife of Swithwulf George Cedd St. Erconwald Spillbeans, the sixteenth Baron Tattingwood, to see a movie made by Tattingwood’s second son, Cedd Spillbeams starring the platinum blonde American actress Ydonea Zaltuffrie.
Ydonea – which is a really tiring name to keep in your mind, I mostly thought of her as Oneday – is heavily bejewelled courtesy of an Indian Maharajah. Her retinue consists of her mother; Mammy her Black maid, who affects a southern accent; 3 Pinkerton men to guard the jewels; and Yusuf, an Indian chauffeur (late in the story E admits that Yusuf is Hindu and that it is racist to call him Yusuf, which is the generic (Muslim) name for all Ydonea’s Indian chauffeurs).
E, who is the narrator, goes down to Supersnoring as Zarl’s “dago maid” in charge of Percy. As do Zarl’s friend Jimmy who is Ydonea’s pilot, and another man, the strong silent type, whom we only know as the Elephant Hunter.
Before she became Lady Tattingwood, Clarice, an heiress in soap, whose fortune was needed to keep the Hall going, had had an affair with WWI hero Captain Cecil Stopworth MC resulting in a daughter who is being brought up by Stopworth’s mother. By the time of this story, which is set around 1930, Stopworth is a senior policeman in Scotland Yard.
It is germane to the story that Zarl is given the room adjoining Lady Tattingwood’s, E sleeps on a camp stretcher next to Zarl, and Stopworth, who still carries a flame for Lady T, and is supposedly down to guard Y’s jewellery, is given the next adjoining room.
There’s lots going on, and the build up takes far too long. MF probably wished to demonstrate that she was smarter than the average detective fiction writer, but if so she failed. There is a little of the Independent Woman theme – Zarl enjoys romances, but not marriage, and makes her way as assistant to explorers and scientists in out of the way places – and a bit, not too much as there is in On Dearborn Street, about women remaining pure. The platinum haired Ydonea is portrayed as no dumb blonde when it comes to managing her business of being a bankable, newsworthy celebrity.
There’s a lot about how popular the monkey is; Tattingwood makes E an indecent proposal and is stuck with a pin for his troubles; there’s a film screening during which some diamonds go missing; Jimmy also goes missing; lots of guests are out and about that night due to problems with the lobster salad; some of them see a ghost; Stopworth is murdered; Lady T last seen crossing Zarl’s room to her former lover’s door is found in a coma in Lord T’s dressing room with a broken arm; someone throws a dagger in the dark at the place where E’s camp stretcher should be; Yusuf goes missing; Jimmy sends a telegram to say he has gone on a round the world flight in Ydonea’s plane, financed by the sale of one of Ydonea’s diamonds.
Neither E nor the police solve the mystery of the other missing diamond, nor the murder. In the last few pages there is a confession including to a death we weren’t even thinking about. I must admit the second half held me much more than the first.
Miles Franklin, Bring the Monkey, first pub. 1933. Available on Project Gutenberg Australia here
see Mile Franklin page (here)
The cover at the top is from … I didn’t write it down, but someone taking advantage of it being out of copyright no doubt. That below is as close as I could get to the original. And “Illustrated by Norman Lindsay”!
Is this Lindsay do you think? From Gutenberg which is meant to be the first edition.
Sydney, The Endeavour Press, (1933). . First Edition; 8vo; pp. 248; numerous b/w illustrations throughout; original red cloth, title lettered in black on spine and front, spine faded, previous owner’s inscription to front free endpaper, minor browning to endpapers, otherwise a very good copy. Illustrated by Norman Lindsay.
Biblio: AU$115.00 (here)
23 thoughts on “Bring the Monkey, Miles Franklin”
I must say that even the description in your post started to tire me. I’m not sure I’ll rush to this.
No, I say I’m not a completist but I will read all of Miles Franklin. I hope you AWWC people take full advantage of this public service, not that I don’t enjoy doing it.
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We sure do appreciate it Bill!
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Heh, I was going to say the same thing! It sounds like a rather convoluted novel.
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Convoluted is right Melanie. Franklin was seriously angry that some writers did well while she couldn’t get published, and so I’m sure she said I’ll show’em. She was actually quite a fine writer and would have done better if she’d stuck to the formula and just given it a little Australian/feminist twist.
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The cover would be enough to put me off 😂
It’s a terrible cover, but I suppose we should be grateful to publishers who take a punt on old, out of copyright novels.
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Although this might not be one to recommend Franklin, there’s a lot to be said for loving an author that has a huge catalogue and that you can say, ‘This book wasn’t their best’, without feeling you have to defend the rest of their work. I’ve had such discussions regarding John Irving – sure, some of his more recent books haven’t been favourites, but I enjoy the fact that there’s enough history there to be able to compare to earlier books, look at themes, consider how his stories have evolved. Same goes for Richard Yates.
You’re right. I very much enjoy knowing Franklin’s life and a lot of her writing and being able to formulate theories about how it holds together. She had the makings of a top shelf writer, but the strain of making a living and of not being understood, and of not understanding herself very well in my humble opinion, led her down some odd paths. Interesting too to be reading close together so many woman all very much of an age, and the different paths they took – MF, Virginia Woolf, Willa Cather and then the slightly young Vita Sackville-West, Henry Handel Richardson
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I Googled cover images for you, and there’s a UQP 1984 edition has a coloured version of the B&W monkey that you have (see Abe Books, https://www.abebooks.com/servlet/BookDetailsPL?bi=1901669332&searchurl=sortby%3D17%26vcat%3DNew___Zealand%26vcatn%3DNew%2BZealand%26vci%3D4374)
The Gutenberg edition has B&W pics of the monkey see http://gutenberg.net.au/ebooks08/0801301h.html but it doesn’t give any publishing details.
It doesn’t look like Lindsay, but perhaps Lindsay was like a whole lot of artists before and since, and did commercial work to supplement his income?
Thanks for doing that work Lisa. I’m inclined to think the Gutenberg monkeys are Norman Lindsay’s. And for many years commercial work was his income. Off the top of my head, he went to art school in Melbourne then his first full time job was with the Bulletin in Sydney.
You might enjoy reading this about The Fanfrolico Press: https://anzlitlovers.com/2011/02/16/the-fanfrolico-press-by-john-arnold/
I was wondering why I hadn’t commented, but 2011. (I see you were Sue’s first commenter, and she was mine, who was yours?). i have a few Lindsay/Sydney push books set aside to write up. I must get round to them!
What a cover! I have only ever ready the two Brilliant Careers and Dawn as I’m pretty sure that’s all I’ve ever seen here. Not sure this is my cup of tea – the reason I hate Dickens lies mainly in the arch names! But interesting to read, thank you!
My theory is that the two Careers read together make one of the great Australian novels – a work of fiction discussing the writing and reception of a work of fiction each of which is a fictional autobiography of the woman writing the work of fiction. I find the subsequent works most interesting for the light they shine on the ups and downs of Franklin’s actual career.
Hah. I suppose that could be said of many of us, that we went through a stage of wanting to be cute but the result was simply that we were annoying instead. This isn’t a book of hers that I have ever heard about (that I recall) but her classics in the Virago Modern Classic green-spined collection were among the first VMCs that I read. (Along with Henry Handel Richardson’s The Getting of Wisdom, which i also loved.) I wonder if every reader who says they’re not a completist has a “Miles Franklin” in them, too, someone whose works they actually are willing to read through, once the project is well underway and the list of publications finite.
I pulled up a list of all the Virago classics once, years ago when I wrote a post about the very few early Australian women who had been republished. So I knew they had republished the little read Everyday Folk and Dawn, but I hope you also read My Brilliant Career and My Career Goes Bung. And yes The Getting of Wisdom is definitely one of my favourites – in fact I considered sending one of my daughters to PLC simply because of the book (they ended up going to a much more suitable school). Good point about completists. There are a number of authors whose books I wait/waited for and read as soon as they came out. Ursula Le Guin, JG Ballard and William Gibson spring to mind. I’m sure I would forgive them one or two ‘bad’ books and keep on reading. Peter Carey I used to read every book but I gave him up at Illywhacker and have barely read him since. MF is probably the only author I read to ‘study’ her rather than for reading pleasure.
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