Zane Grey (1872-1939) was born in Zanesville, Ohio. How cool is that? Zane was his mother’s surname and the city was built on land owned by her family. His original first name was Pearl, as in pearl grey, the colour of Queen Victoria’s mourning dress (according to Wikipedia, so it must be true).
He is of course famous as a writer of cowboy stories, 90 odd all-up. Grey lived in Pennsylvania from 1905-1918, then in California. He was married, had numerous affairs and travelled extensively (within USA). From 1923-1930 he had a cabin in Arizona. The book I listened to recently, Captives of the Desert seems to have been written in 1925. It is set in desert country in Arizona which he describes with great affection. What’s most interesting is that although this is ostensibly the story of John Curry, a cowboy – a herder of intrepid tourists rather than of cows, and in fact the properties in the desert seem to mostly run sheep – the other principal characters are all women: Mary who is married to a no-hoper; Mary’s friend Catherine who has come out from the east to be with her sister who is an invalid; and Magdalene, a young Navajo woman who has been away to school and now finds herself neither western nor native American.
The feeling I got is that Zane Grey is far more liberal than you might expect from a writer of pulp fiction for rural working men. He has a lot of sympathy for the shit the Navajos have to put up with and in particular the difficult situation Magdalene is in, where her education is not valued by her fellows and yet there is no place for her in white society.
Curry is hopelessly in love with Mary. Magdalene and maybe Catherine are hopelessly in love with Curry. Mary slowly comes to despair of her husband, who leaves her when he realises Mary is not the heiress he hoped for.
While we are driving old cars or riding horses and mules through desert canyons, dealing warily with the local native Americans, and conducting tourists on trail rides, the husband is having another shot at making his fortune selling liquor – which was banned on Indian reservations in Arizona by state law and subsequently by federal law (1920-1933). Magdalene gets pregnant; various people get shot; and yes there is a happy ending, two in fact.
Both Mary and Curry are very nineteenth century. Mary in her determination to be a good wife to a man she despises, and Curry in his honourableness, his wish to serve Mary but to not compromise her marriage. I found Captives of the Desert to be good, thoughtful reading (listening).
I didn’t mean to write so much about what is after all an obscure book, but Zane Grey is interesting for the light he shines, or the study of him shines, on the Bulletin school of Australian writing. As with many other issues, 1950s US movie culture – in this case cowboy and indian movies – stands between us and a proper understanding of where society was at pre WWII.
There are lots of things I haven’t done that I mean to and following up the myth of the American ‘Noble Frontiersman’ (in Canada as well as the US) and how that feeds into Australian Legend is one of them. I wonder if I can get ES Ellis on audiobook.
After not this last trip but the one before, I didn’t look for any freight at the end of the week and was happy, even on my own, to have a weekend at home. As it happens, I loaded the following Thurs and stayed on in Perth a couple of days, to be out of iso for just one day for the first time in months, had tea at Milly’s and took our granddaughter out to lunch for her birthday.
As you know, Melanie/GTL and I were working on The Slap and in the course of our interchanges I sent her a photo of a dingo which came up to my truck at Nullarbor station. She promptly imagined a whole story around Bingo the dingo, including adopting it and heading off on a road trip in a red convertible. I turned around very quickly in Melbourne and Bingo was still there when I got back, and although it’s not apparent in this photo, she’s clearly a bitch who has just had pups. So now it’s Lady Bingo and maybe the whole Thelma and Louise scenario (Don’t do it Melanie!).
I’m settling down with the new WordPress editor and have even converted the Truck Pix page of my work website to a slideshow, following a hint from WG. Next step is to play with Tables which Karen/Booker Talk makes a start on here in Comments.
Did you see WG’s most recent Monday Musings where her 100 year old father burst into song. We got onto my own father singing – in 1959, just me and him on the road from Leongatha to Sea Lake (500 km). His grade 6 had done HMS Pinafore for speech night, and he sang it to me to wile away the hours.
I only have Pirates of Penzance and The Gondoliers in the truck , but Pinafore is the one that has stuck and I was silly enough to boast that I could still sing Dear Little Buttercup (in falsetto!). Despite requests, that won’t be inflicted on my readers. But it reminded me that three or four years later in his first (and only) headmastership, Dad got his teachers to perform the Death of Julius Caesar – you know: “He was stabbed in the rotunda.” “Oh! That must have been painfull!”. He played Calpurnia and his “I told him Julie , don’t go, don’t go” in falsetto is still with me. (It’s actually Rinse the Blood off my Toga).
Mudrooroo (M, Aust/WA), Wild Cat Falling (1965) – DNF. Read by the author whose older ‘university’ voice was just wrong for the story
BV Larson (M, USA), Tech World (2014) – SF
Tom Franklin (M, USA), Crooked Letter, Crooked Letter (2010) – Crime
Joy Fielding (F, USA), Someone is Watching (2015) – DNF. Shoot me if I pick up another Joy Fielding. She gets off on gratuitous violence.
Tess Gerritsen (F, USA), The Bone Garden (2007) – Crime/Hist.Fic.
Zane Grey (M, USA), Captives of the Desert (1926) – Western
Lisa Kleypas (F, USA), Sugar Daddy (2006) – Crime
Ivan Čapovski (M, Macedonia), The Sorrow of Miles Franklin…
Jessica White (F, Aust/Qld), A Curious Intimacy
JD Salinger (M, USA), The Catcher in the Rye
Georgette Heyer (F, Eng), The Talisman Ring
Milan Kundera (M, Czech), The Farewell Party