Given that I read/listen to around four books a week, it was really no problem to fill in the 9 squares of Brona’s AusReading Bingo Card (notional this year, as far as I can see), though finding the time and energy to write 9 full reviews is another thing altogether.
I read these books to fill my bingo squares:
Randolph Stow, The Merry-Go-Round by the Sea (here)
Max Barry, Jennifer Government (here)
JM Coetzee, Elizabeth Costello (brief summary here) I have since read Nicholas Jose’s Essay, “A Manual for Writers: Elizabeth Costello”. I agree with Jose that Coetzee is addressing the reader throughout on the subject of writing, and I only wish I had made time to sit down with a paper copy of EC to write a fuller (or, as WG would have it, more fulsome) review. Jose makes the interesting point that while there was no female writer of that generation in Australia like EC, there were two in/from Africa, from whence Coetzee had just emigrated, Doris Lessing and Nadine Gordimer. But it is Jose’s final para which I must applaud –
There is now a great female Australian novelist appearing on the world stage. Her name is Alexis Wright and she is real. Her heritage is Waanyi from the lower Gulf of Carpentaria. In her world humans, animals, birds, fish and spirit beings are one and she tells those stories in another reinvention of what the novel can be in extreme times … I imagine Elizabeth Costello would be surprised and pleased by this development.
Years ago I watched a movie, Italian I think, where a man is about to be hung from a bridge. He dives into the water, escapes, has various adventures. Yet, as the movie ends we see him dangling from the noose. It was all a daydream in the last seconds of his life. And that is more or less how this novel is framed too, the recollections of a man trapped beneath the water and drowning. Flanagan has a tendency to fill out his Lit Fiction with action sequences. I don’t know why, and I think it is unnecessary.
Australian Capital Territory
Sara Dowse, West Block (here)
New South Wales
Murray Bail, Eucalyptus (brief summary here)
Thea Astley, Reaching Tin River (here)
Ok. I cheated. A few months ago I won the movie Top End Wedding in a giveaway on Lisa’s ANZLitLovers. Having an unexpected weekend without work, I sat down to watch it. It’s not a Rom.Com, though I suppose that’s the genre it belongs with, so much as a series of reconciliations. Lots of fun, a few tears, and acres of amazing scenery as Lauren and Ned tear around the northern part of the Northern Territory on improbable dirt roads (there are highways!) and, sadly, not a road train to be seen.
They find Lauren’s mother, Lauren’s mother finds her mother and of course they find each other.
I own a few other NT movies, all with amazing visuals – Ylongu Boy, Ten Canoes, and Australia’s first colour movie, Jedda (on VHS so I might never see it again). I toyed briefly with the idea of doing a movie Bingo card, but that was just so I could pair SA and Bad Boy Bubby, which I think is great. And also the one movie I watch every couple of years, from WA, Dingo in which a trumpeter from the bush goes to Paris to play with the incomparable Miles Davis.
Tara June Winch, The Yield (here)
Now on to related
more equally important things, Australian Women Writers Gen 4 Week. I can’t be sure I’ll be on holidays but let’s say the week from Sun 16 Jan to Sun 23 Jan, 2022.
The definition we are using for AWW Gen 4 is women who began writing in the 1960s, 70s and 80s. The Australian Women Writers Gen 4 page gives you a complete list of writers and their debut novels/works but think: Thea Astley, Jessica Anderson, Oodgeroo Noonuccal, Shirley Hazzard, Helen Garner, Robyn Davidson, Elizabeth Jolley, Janette Turner Hospital, Sara Dowse, Kate Grenville, Ruby Langford and theorist/activists like Germaine Greer, Anne Summers, Marilyn Lake, Bobbi Sykes.
I unknowingly (unthinkingly) made a start on AWW Gen 4 with my review of Sara Dowse’s West Block, and on reflection I think there are elements of that novel which will prove typical, but I’ll try and write up a more comprehensive introductory post in the next few weeks. (Maybe – but see also Reaching Tin River).
Nicholas Jose, A Manual for Writers: Elizabeth Costello, in Belinda Castles ed., Reading Like an Australian Writer, New South Publishing, Sydney, 2021