I like last year’s logo, though one of my friends thinks poor Miles (it is of course Miles Franklin’s silhouette) is losing all her thoughts, or all her sense more likely, out the top of her head. We don’t have one for this year, and we are using the heading from an earlier year again. We – I say we, as I am now on the AWWC editorial team, with the site’s founder, Elizabeth Lhuede, and Sue (Whispering Gums) – will try and update the site’s appearance as we go along.
Over the past ten years they have built up a considerable database of reviews of Australian women’s writing (a lot of it contemporary of course); and also Elizabeth has been/is building an archive of out of copyright stories and novels. To complement that, I hope I can consolidate the work we have done here with AWW Gens 1 2 and 3 – which is roughly the period AWWC will cover from now on – onto the AWWC site as well.
Those of you who enjoyed the challenge of setting -and meeting – a target, may still, I hope will, post reviews on the Facebook page Love Reading Books by Aussie Women. I know, it’s not the same thrill as being mentioned in Summaries.
My reason for writing this post is to encourage conversation about the site. The reviews database needs a lot of work to make it friendlier to update and to search on. We are concentrating on the ‘magazine’ side at the moment – I think it’s looking good, don’t you – but we will definitely get back to the database side, though perhaps ‘eventually’ rather than ‘soon’.
For those of you I haven’t persuaded to subscribe, I will put up a list each month of the previous months posts.
AWWC February 2022
|Wed||02||Elizabeth Lhuede||A new year and a new focus|
|Wed||09||Michelle Scott Tucker||Australia’s First Women Writers|
|Fri||11||EL||Elizabeth Fenton, The Journal of Mrs. Fenton (extract)|
|Wed||16||Bill Holloway||Louisa Atkinson, Gertrude the Emigrant (review)|
|Fri||18||wadH||Louisa Atkinson, Gertrude the Emigrant (extract)|
|Wed||23||Whispering Gums||Early Australian women writers, 1: Primary sources|
|Fri||25||EL||Louisa Anne Meredith, Voyage out, 1839 (extract)|
I’m thoroughly enjoying being part of AWWC, the to and fro as we get stuff sorted, and the contact with other bloggers as I source guest posts. I’ve always dreamed of being involved with a literary magazine and this is pretty close.
Somehow, the gaps in my real work have aligned to allow me to get well ahead with my AWWC posts and even a little ahead with posts here. Today, as I write, is Sunday. Last week I did a milk run up north, with a final delivery east of Marble Bar (Australia’s hottest town, on the edge of the Great Sandy Desert), had radiator problems, got going using black pepper as ‘Bars Leak’, then broke down again almost directly outside Volvo, Port Hedland. They, despite being booked a fortnight in advance, replaced my fan, fan belt and pulleys while I waited and got me on my way home.
Yesterday, the Milly’s Moving project had me up a ladder painting; and tomorrow I will be (on Monday I was, you know what I mean) on my way again, first with a machine to Kalgoorlie and then a road train load back up past Marble Bar to Telfer.
The wet season (Summer) means roads up north are routinely under water – though not to compare at the moment with the east coast – the photo is of the Shaw River between Port Hedland and Marble Bar, and there’ll probably be a couple of more crossings between Marble Bar and Telfer.
[Weds night as I post this I am stuck in Port Hedland waiting out Cycllone Anika which is due to cross directly over Telfer, my destination, some time tomorrow.]
Just to slip in a literary reference, Ernestine Hill took a detour to Marble Bar (1932 ish), I think on her way back from Darwin to Port Hedland. Nullagine, 90 km of barely driveable dirt road south, was then the principal town of the region, and I believe Hill heard in one of Marble Bar’s many pubs about the escape of the Rabbit-Proof Fence girls back to Jigalong which came under Nullagine’s jurisdiction, and so made her way to Jigalong to meet them (The Great Australian Loneliness, 1937).
Helen Garner (F, Aus/Vic), Stories (2019)
Suzanne Collins (F, USA), The Hunger Games (2008) – SF
Suzanne Collins (F, USA), Catching Fire (2009) – SF
Suzanne Collins (F, USA), Mocking Jay (2010) – SF
Claire Fuller (F, Eng), Bitter Orange (2018) – more drama than Crime
Doris Lessing (F, Eng), Shikasta (1981) – SF
Madelaine Ryan (F, Aus/Vic), A Room Called Earth (2020)
More for the TBR:
Speaking of Milly’s Moving, I took some bags of clothes to a local Anglicare and, having not been in a secondhand store since Covid, came out with 13 books, for less than the price of one new one, nearly all Virago Modern Classics. Hopefully, you can tell me where I should start.
Eliot Bliss, Saraband (1931)
F Tennyson Jesse, The Lacquer Lady (1929)
Laura Talbot, The Gentlewoman (1952)
MJ Farrell (Molly Keane), The Rising Tide (1937)
Rosamond Lehman, Invitation to the Waltz (1932)
EM Mayor, The Squire’s Daughter (1929)
EH Young, Jenny Wren (1932)
Elizabeth Jenkins, The Tortoise and the Hare (1954)
Ellen Wilkinson, Clash (1929)
Rosamond Lehman, A Note in Music (1930)
May Sinclair, The Three Sisters (1914)
Sunetra Gupta, A Sin of Colour (1999)
Hanif Kureishi, The Bhudda of Suburbia (1990)