Today it rained

Journal: 023

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MST’s book launch. Photo by Lisa Hill

Today (Wednesday) it rained. If you’re a Sydneysider you’ll know what I mean. Though it wasn’t just Sydney, grain harvest and carting was suspended all the way across South Australia as I came over at the weekend, to Melbourne, arriving early enough to have coffee with MST and her wonderful children and then tea with Lou (teacher son) in non-rainy, post Dan-slide Victoria.

MST gave me a copy of this year’s Stella winner, Alexis Wright’s Tracker which I hadn’t intended reading, but which having started I can’t put down. A review is coming, though it may take me till the xmas hols.

I’m sure I’m not the only reader who misses Michelle’s blog since she started working at Stella. She says she has 160 books to read for next year’s prize (or some such number). Even if there’re half a dozen judges, that’s still a lot of reading. But she has undertaken to review the Billabong series, of which she has long been a fan, for AWW Gen 2 week. That’s 13-19 Jan. Michelle.

Lou had a book for me too, on an episode in Australian working class history, which has long been absent from my library, but I told him to wrap it and give it to me when he comes over for Christmas. Psyche has phoned just in the last hour to say that she has booked her flight from Darwin, Milly and I have booked time off, Gee and the grandkids won’t go on holidays till the new year, so that’s all of us, in Perth, on the actual Christmas Day, and Milly is planning a feast (my jobs are transport and grog, purchase of).

My deliveries in Melbourne were quite straightforward, though way down in Dandenong (an outer south-eastern suburb), but after that I got thoroughly Draganned. I had a pickup in the outer west, then a second in Frankston, back past Dandenong (we’re talking two 100 km round trips, in traffic), and a third in Cowra – yes that Cowra, 500 kms north in NSW. That was this morning, which means the rain had come. I’m not used to rain. And it got worse. With three quarters of a load I came on into Sydney. Unloaded it all at a depot for transport at a later date. And now I sit at the Eastern Creek truckstop. The rain still falls. I await further instructions.

Sitting around in Melbourne – there was a 24 hour break somewhere in those cross-city back and forths – I started sorting through the newspapers that populate my passenger seat. I know I said I’ve given up paper newspapers, and I have, but Milly and I bond over cryptics, so when I think of it I buy a weekend paper. The West, which has the cryptic we’re used to, or the SMH/Age which we find harder. I keep the motoring sections ‘for later’, and then there’s Owner-Driver which is free in truckstops, and in amongst all these I found the last six Australian Book Review, which subscription I will not renew but which I must have paid a couple of years ahead – and still the reviews are mostly not Australian and if they are, are mostly not fiction.

But I found a few interesting Indigenous stories. In Wright’s wonderful biography Tracker Tilmouth seems to identify various groups within his community by the matriarch, so ‘Geraldine mob’ or ‘Ursula mob’. This is not a usage I’ve run into before but it comes up again in ABR May 2018, “The Paradox of Recognition” by Richard Martin, about native title in the Ceduna area. I wrote in Crossing the Nullarbor, “… from Yalata to Ceduna, were the Wirangu whose language was subsumed by the related Kokatha, another member of the Western Desert family of languages to their north.” Ceduna’s Aunty Sue Mob are identified as Kokatha and are initially excluded from the Wirangu native title claim. The article – a review of two books – discusses how legalistic views of native title are breaking up communities.

Two other articles on Indigenous issues are Kim Mahood on archeology (April 2018). Indigenous occupation has been extended back 65,000 years and the book she reviews, Deep Time Dreaming by Billy Griffiths studies the question ‘Who owns the past?’; and Alan Atkinson on The Sydney Wars by Stephen Gapps (August 2018). “In response to invasion, various Indigenous groups on the Cumberland Plain were drawn together from time to time, apparently in innovative ways …” to fight back.

On a different subject altogether, Beejay Silcox writes ‘We are all MFAs now!’ (August 2018). Over a number of pages she argues that MFA programmes make no difference to what we read, but have merely taken the space formerly offered by cafes as forums for budding writers to meet and criticize each other’s writing. Studying in America she discovers, quelle surprise!, that American courses teach only American writing. My own opinion is that Masters degrees have taken the space formerly occupied by tech college diplomas.

 

Recent audiobooks

Mary Burton (F, USA), The Hang Man (2017) – More dead young women, their deaths described in loving detail. Do the authors get off on writing this stuff?
Blake Crouch (M, USA), Dark Matter (2016)
Andrea Camilleri (M, Ita), Angelica’s Smile (2014)
Eve Chase (F, Eng), Black Rabbit Hall (2016)
Kate Atkinson (F, Eng), When Will There be Good News (2008)

Currently reading

Dale Spender, Mothers of the Novel
Alexis Wright, Tracker (2017)

Stuff on the Internet

The NY Times flies out to Australia, to Goroke in western Victoria to meet the next Nobel Laureate in Literature (thanks to my brother in law who sent me this) and finds him behind the bar at the local golf club (here).

 

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Border Districts, Gerald Murnane

Murnane Border Districts

Border Districts (2017) is a meditation on remembering by an imaginary author clearly representing Murnane himself who has moved from the capital city where he grew up to a little town which he has long imagined, out on the western plains of the state in which he has always lived, so that one of the meanings of ‘border districts’ is this area of his home state which borders an adjacent state.

It is possible that Murnane intends at least partly an homage to Marcel Proust’s Remembrance of Times Lost (1871-1922) which he mentions and which I haven’t read. He repeatedly brings up as memories not things he has seen but memories of the images retained from seeing these things and further, memories of images, scenes, transactions he in his childhood and youth imagined.

This work is a fiction, but a fiction which the fictional protagonist insists is factual, an accurate account of his real memories of both real and imagined landscapes and events. I am reminded that in the only other of his works that I have read, Landscape with Landscape (review), Murnane describes his personal ‘landscape’ as “the space between myself and the nearest woman or man who seemed real to me”. Here, 30 years later, ‘real’ has almost disappeared, leaving only a landscape of retained images of past realities and past imaginings, both equally valid, imperfectly recalled.

For a geography minded reader like me the book is interesting not least for its complete absence of place names. So, the fictional author grew up in the outer suburbs of the capital city (Melbourne) of a state in the southern part of the country, lived as a child for a while in a provincial city (Bendigo), and now lives in a little country town out on the plains of the Western District, which he moved to because he had imagined it.

(Whenever I recall, here in this quiet district near the border, my mostly aimless activity during my fifty and more years in the capital city, I begin to envy the sort of man who might have been paid a modest wage during most of his adult life in return for feeding and watering and grooming and exercising a half-dozen thoroughbred horses in a certain few sheds and paddocks behind a plantation of cypresses on the far side of an assortment of outbuildings in the vicinity of an immense garden surrounding a sprawling homestead out of sight of the nearest road, which would have appeared as one of the faintly coloured least of roads if ever I had seen it on some or another map of some or another of the mostly level grassy landscapes that seem often to lie in some or another far western district of my mind.)

He mentions a number of times a “place-name I have never been able to find in any gazeteer of the British Isles” a place name which he notices on his rare long journeys across the largely treeless plain to the capital city, and which I think is a name I too have seen and indeed look out for along the Melbourne-Adelaide highway, Ercildoun, a ‘Mt’ (prominent hill) north of Trawalla, and with an ‘e’ one of the large (tens of thousands of acres) grazing properties into which Victoria was first divided, and also, though he does not say, a fine old bank building in Footscray. “I learned from my reading that the place name is a much earlier version of the present-day name of a small town in the border district of Scotland”.

If Border Districts has a theme it is stained glass, or to be more accurate, the fictional author’s memory of the quality of light filtered through stained glass, the description of which he constantly refines. The book begins with the fictional author visiting a small church in the town in which he now lives, belonging “to one of the Protestant denominations I pitied as a schoolboy for the drabness of their services”, and which have windows with stained glass representations of leaves and stems and petals.

He remembers (Catholic) churches he attended as a boy and as a trainee priest and their representations in stained glass of Jesus, of Mary, and of the ‘Sacrament’. And an older house in the capital city in which he sometimes stays has stained glass in some of the windows which he photographs to study more closely at home.

This older house which I mentioned in the previous paragraph (which is a phrase Murnane, or his fictional author, uses a lot) is the family home of a friend from his schooldays where the friend grew up, after his mother’s death, in the care of his father and his father’s maiden cousin whom he, the friend, calls Aunt. And the fictional author imagines for the Aunt a life in which she marries the man who wrote to her before his death at Gallipoli, a life in which the man comes home from the War and lives the life mentioned in an earlier paragraph, as a groom on one of the great Western District estates, and they late in life have a daughter and that daughter is of an age with the fictional author and they become friends.

There is much more: coloured glass marbles; a kaleidoscope which works by rotating a marble at the end of a short tube; school Readers (which Victorians of a certain age will remember) which both he and the Aunt’s imaginary daughter read right through at the beginning of the school year and then must suffer through the remainder of the year readings out loud by their less progressed classmates; race meetings followed mostly on the radio and the owners who have the old estates in Western Victoria and their racing colours; an interview on the radio with a woman author who catches his attention when she states that she has imagined a house which is situated in that part of the adjacent state nearest the home of the fictional author, and that she will locate and buy this house, which she is certain exists, and turn it into a retreat for authors of fiction, but not for poets or biographers. The fictional author writes to this woman author but she does not reply.

Murnane’s concerns are the border between mind and brain, the border between object and perception, the border which separates the past and our memory of the past. But ‘border’ also denotes a place away from the centre, a place on the outer –

As a young man, I was often driven to search … not only for writers but for painters sculptors and composers of music who lived in isolation from their kind, far from the putative centres of culture. Even in my youth, I seem to have been seeking evidence that the mind is a place best viewed from the borderlands.

Border Districts is one of those works, and probably one of those few great works, where the writing is more important than the subject matter. Where we are carried along, bemused, in a great writer’s train of thought.

 

Gerald Murnane, Border Districts, Giramondo, Melbourne, 2017

see also:
Lisa at ANZLL’s review of Border Districts (here)
Lisa’s other Murnane reviews (here)
My review of Murnane’s Landscape with Landscape (here)
Emma at Book Around the Corner’s “Reading Proust” page (here)