‘Strong Motion’ is a term associated with earthquakes. Franzen’s Strong Motion (1992), ostensibly an ecological thriller about artificially induced earthquakes, is really a literary work about a relationship, between Louis, 21, unemployed, and Reneé, 29, a post-grad seismologist at Harvard. I don’t know Franzen, I don’t know his place in US or world literature, but I recognise his name and was was willing to give up the 21 plus hours this book – read well by Scott Aille – took: a night through northern Victoria, a day across South Australia, Renmark, Burra, Port Augusta, Ceduna, another night, out across the Nullarbor, and with the morning, on into Western Australia.
Franzen (b. 1959) is a literary novelist, columnist and educator. A quote by one of his students: “He read our stories so closely that he often started class with a rundown of words that were not used quite correctly in stories from that week’s workshop” is amusing as I noted that Franzen had someone waiting for a printer to “divulge” a printout, as if printers knew what they were printing, when he should have used the more prosaic “disgorge”.
My mind wanders. The 1990s were a decade when ecology was the concern and not global warming. In the 1990s in my circle (me, Milly, Lou) it was de rigeur to read Ben Elton who had become famous with a movie about rockets in the Australian desert (Stark) – and yes, I saw every episode of The Young Ones and most of Blackadder, I just didn’t associate them with Elton the novelist. Elton lived for a while in Fremantle and was treated as WA’s most prominent public intellectual, a role now granted to a chancer from the upper classes who lived for years mining mum and dad investors on the stock exchange until one of his gambles paid off spectacularly well and now he is a Boyer lecturer (I cringe for ‘our’ ABC).
My mind wanders to Elton because halfway through Strong Motions the most likeable protagonist is shot. One of Elton’s books has a protagonist in a wheel chair who just as you are getting fully involved with him is run down and killed and the book goes on without him. I still remember the shock, though nothing else except that the book is set in London.
The ecological thriller part of the book concerns a Boston-based petrochemical and weapons company, Sweeting-Aldren. I immediately think of Dow, indelibly associated with the Vietnam War and napalm (but not as it happens, Boston-based). Louis’ grandfather had been a S-A exec. and on re-marrying had invested his $20 mil fortune in S-A shares which on his death had gone to his new wife. At the beginning of the book Louis goes to visit his step-grandmother only to find she has fallen off her bar stool in a localized earthquake and died. The shares then go to Louis’ mother who shares her good fortune with his sister but not with Louis or with his father, a history professor.
Reneé meanwhile comes to believe that the localized earthquakes being felt in the Boston suburb of Peabody are being caused by S-A pumping toxic waste into a disused very deep (6 miles) well. Louis and Reneé meet and begin to sleep together. I don’t mean to go on with a full account of the plot. Reneé has self-image problems. Reneé says she does not intend to mother Louis, but does. Louis has family problems. Louis has a girl in Texas who has plenty of problems of her own. Louis tells Reneé he loves her. Louis goes off with the other girl. Reneé has an abortion. There’s a whole other sub-plot going on with an anti-abortion Southern Baptist church. The earthquake/villainous chemical company thing comes to a head.
It is all very well done. Louis is the principal protagonist, but Franzen is omniscient and quite happy to look at a given scene from Reneé’s POV and occasionally from someone else’s. No, I don’t think he is as convincing giving Reneé’s POV, especially when she speaks passionately as a women’s libber (or a woman during sex).
I get the impression reading up on Franzen that, despite his appearance on the cover of Time as the ‘Great American Novelist’ (in 2010), he has never really made the transition from really good to ‘great’, and that like many other ‘really good’ novelists before him, in a decade or two he will be forgotten.
Did I like it, Melanie? Yes I did. Though for once I wasn’t really keen on the two protagonists getting/staying together and thought they could have done better with other people.
Now, how am I doing in this time of Covid? For once the rules didn’t change as I was crossing the border. My electronic passes into SA and WA worked fine. To meet SA’s rule about being tested every 7 days, I did a second test in WA before I left and that carried me over, though I saw a sign saying that I could get tested at the border if necessary. I got in to Perth yesterday (Friday) morning and did a test when I finished unloading to meet WA’s 48 hour rule. No result yet. There is talk of WA and SA having the same testing regimen, but probably not in my lifetime.
More importantly, Milly says I can see her once I have my test result. But I still have to wear a mask. Seeing Milly, though still not Gee and the grandkids, probably makes waiting 14 days till I’m clear bearable, but as it happens I have the makings of another load (to Leongatha again) and so should be on my way by Thursday.
Johnathan Franzen, Strong Motion, first pub. 1992. Brilliance Audio, 2013, read by Scott Aiello
Aaron Elkins (M, USA), Deceptive Clarity (1987) – Crime
Kendra Elliot (F, USA), Spiraled (2015) – Crime
Jasper Fforde (M, Eng), Shades of Grey (2009) – SF
Robert Wilson (M, Eng), Capital Punishment (2013) – Crime
Michael Connelly (M, USA), Bloodwork (1998) – Crime
Loren D Estleman (F, USA), Ragtime Cowboys (2014) – Crime/Hist.Fic.
Annie Ernaux (F, Fra), I Remain in Darkness (1999) – Memoir
Robert Pobi (M, USA), American Woman (2014) – Crime
Patti Henry (F, USA), And Then I Found You (2013) – Romance
Fannie Flagg (F, USA), Fried Green Tomatoes at the Whistle Stop Cafe (1987/2000) Abridged to 2 hours. I wouldn’t have read it if I’d noticed, but it’s read by the author
Gigi Pandian (F, USA), Pirate Vishnu (2013) – Crime
Peyton Marshall (F, USA), Good House (2014) – SF
Johnathan Franzen (M, USA), Strong Motion (1992)
Thea Astley (F, Aust/Qld), Collected Stories
Thea Astley (F, Aust/Qld), Drylands
Paul Magrs (M, Eng), Exchange