Brent of Bin Bin, Miles Franklin

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Miles Franklin (1879-1954) was probably almost in despair as a writer when she made the decision to publish under the pseudonym Brent of Bin Bin. By 1928 she was nearly 50 years old. The ground-breaking My Brilliant Career she wrote as a teenager had come out in 1901 to great acclaim and popular success but the intense scrutiny it brought upon her family and neighbours had led her to withdraw it from re-publication. Her next two novels, brilliant attempts to explore the relationship between ‘real’ and fictionalized life were rejected. Following them, Some Everyday Folk and Dawn (1909) met little success and her next, The Net of Circumstance (1915) under the silly pseudonym Mr. and Mrs. Ogniblat L’Artsau, none at all. And since then there had been nothing.

Born into the squattocracy, Australia’s landed gentry, she had been dragged down by her father’s unwise venture into farming, and her parents’ failure to secure her a decent education, and had been barely clinging to the bottom rungs of the lower middle class in England during the Depression doing clerical work and writing in her spare time. With the mss of at least four completed and unpublishable novels ‘under her bed’ she made the no doubt unpalatable decision to tone down the feminism and experimentation in her writing and to adopt her topics to mainstream taste – family sagas of the Australian bush. In other words, she decided to man up, and how better to do that than to adopt a male nom de plume.

In 1900 Franklin had written to Blackwoods, the publishers of My Brilliant Career:

Please on no account allow “Miss” to prefix my name on the title page as I do not wish it to be known that I’m a young girl but desire to pose as a bald-headed seer of the sterner sex.

That wish had been thwarted by Henry Lawson’s description of her in his Preface as “just a little bush girl, barely twenty-one” but now she was in control and the secret of Brent’s real identity, known only to herself, her best friend Mary Fullerton and a smallish circle of family and friends, although guessed at by half the industry, was still being kept beyond her death in 1954, so that Marjorie Barnard in her biography published in 1967 could only point to the clear similarities between Franklin’s and Brent’s work as proof that they were one and the same. In fact ‘Bin Bin’ was the name of a station (large grazing property) belonging to Franklin’s father’s family which she used for the first time in My Brilliant Career (“My father was a swell in those days – held Bruggabrong, Bin Bin East and Bin Bin West, which three stations totalled close on 200,000 acres”).

Further, her deception of her publishers, Blackwoods, was double or even triple, as she not only acted as Brent’s agent under the pseudonym Miss S. Miles or Mills, later clarified as Sarah Mills, but also claimed that the author was ‘William Blake’, a member of an old Australian squatting family who wished to be known as Brent to distinguish him from the Romantic poet of the same name who had died a century earlier.

Early in 1927 ‘S.Miles’, as agent for Blake, submitted a draft of Up the Country, ‘a Novel of the Australian Squattocracy’ to Blackwoods. Their prompt acceptance included the right of first refusal on the next two or more works. In June, Franklin returned to Australia, to care for her ageing parents in Carlton, Sydney, and began typing out the final draft in the Mitchell Library. Over the space of a few months of amazing productivity Franklin knocked out Up the Country, the first draft of Ten Creeks Run and began working on Cockatoos, a rewrite of the unpublished On the Outside Track (one of two novels she wrote in 1902 or 1903 as a ‘corrective’ following the unwelcome reception of My Brilliant Career as biography ) as the third novel in a family saga based loosely on the arrival and establishment of her mother’s family in Australia over 3 or 4 generations.

In all, six novels appeared under the Brent of Bin Bin name, following the Mazere and Labosseer families and all their connections. They are:
Up the Country (1928) Period 1840s-1860s. First generation
Ten Creeks Run (1930) Up to the 1890s. Second generation
Cockatoos (1954) Boer War to 1906 (‘A Tale of Youth and Exodists’)
Prelude to Waking (1950) 1920s Mayfair, London
Gentlemen at Gyang Gyang (1956) 1920s, back in the NSW high country
Back to Bool Bool (1931) late 1920s (the return of a new generation of ‘exodists’)

Blackwoods brought out Up The Country, Ten Creeks Run and Back to Bool Bool in fairly short order as a ‘trilogy’ to good reviews and moderate sales, but there things stalled. The Depression made all business difficult, Prelude to Waking, a Mayfair comedy originally written in 1925, which Franklin wanted published next is very different stylistically to the first three, and then there was the War.

The most prominent of the initial reviews was in the Bulletin of 2 Jan 1929. Headed ‘An Australian Classic’, the review said that although Brent had no style as understood by literary cliques it contained some of the most tender writing in Australian literature (Roe, p.301).Likewise, HM Green writing later said, “The Bin Bin books are not works of art, but extracts from life or stories of life.”

After the War, Beatrice Davis of venerable Australian publishers Angus & Robertson (who famously refused My Brilliant Career back in 1900) purchased the rights from Blackwood and over the course of half a dozen years, brought out all six, starting with Prelude to Waking in 1950 and reissuing Up the Country in 1951. Unfortunately, Miles Franklin did not live to see the publication of the final book in the series which she had been writing, re-writing and tirelessly promoting for a quarter of a century.

Meanwhile, during the period of her initial success as ‘Brent’, Franklin had published under her own name Old Blastus of Bandicoot (1931), similar enough in style and location to reconnect her with the public who had not forgotten My Brilliant Career (To coincide with the release, Nettie Palmer published an important essay comparing Franklin with South Africa’s Olive Schreiner)*. She followed up with a forgettable murder mystery in the style of Dorothy Sayers, Bring the Monkey (1933) and then her popular triumph, the Prior Prize-winning All That Swagger (1936), a saga based on her father’s family and very much in the style of Up The Country. According to one of the judges, “In not one page is there to be seen any evidence of overseas influence. Only an Australian could have written it, and there has been nothing written like it except the Brent of Bin Bin novels.”

Over the next few months I will review all six of the Brent series, I own four of them – three I see in checking the publication dates are first editions – and I’m sure I can dig up the last two, if not from the WA State Library then from the Mitchell, and if all else fails there’s always Kindle.

References:
H.M. Green, A History of Australian Literature, Angus & Robertson, Sydney, 1961
Jill Roe, Stella Miles Franklin, Fourth Estate, Sydney, 2008
Sylvia Martin, Passionate Friends, Onlywomen Press, London, 2001 (review)
Marjorie Barnard, Miles Franklin, Hill of Content, Melbourne, 1967

Prior Prize announcements, 1936 (here), 1939 (here)

For links to all my Miles Franklin posts see: Miles Franklin Central (here)


*Nettie Palmer’s essay ‘The “Olive Schreiner” of Australian Literature’ was published in the Illustrated Tasmanian Mail, late in 1932 I think, but I can’t find it on Trove. (Roe, p.331)

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28 thoughts on “Brent of Bin Bin, Miles Franklin

      • Now it’s time for me to get cracking on some of my ‘completist’ projects in OzLit. I want to finish reading all of Roger McDonald’s first, and then finish off all the Miles Franklin winners (except for a couple of recent ones which I abandoned at the time I tried to read them).

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      • I hope you’ll consider the question of how (or whether) McDonald contributes to the Australian Legend as you make your way through. One reading project I might set myself (though not to blog on!) might be to make my way through all the posts your put up, particularly on Australians, prior to last year when I started following.

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  1. She had a truly amazing life (and had to travel a rough literary road). It’s probably time I did a reread of My Brilliant Career – it’s probably been decades since I read it!

    I’ll look forward to your forthcoming reviews.

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    • Thankyou. I was watching the movie with my 13 yo granddaughter last night and could almost recite it (very boring for granddaughter!). The young Miles tells her story with such verve you can’t help but love it though she’s even more passionate in My Career Goes Bung.

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  2. Good stuff Bill. I love this mystery and how Franklin managed to “more or less” fool the establishment for so long. I mean they guessed but she didn’t admit.

    I’m intrigued by Green’s comment that “The Bin Bin books are not works of art, but extracts from life or stories of life.” This notion that her works are from her diaries is what has often been levelled at Helen Garner – though I think people do recognise the quality of her writing. I’ll be interested to hear what you have to say about the content versus the style when you get to them.

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  3. Can’t wait to read your reviews! IT sounds like this woman toiled for so long to remain out of poverty. Reminds me of L.M. Montgomery, whom I’ve been reading most of this summer. Can you imagine trying to raise your family out of poverty with writing today? It would never happen.

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  4. I’m glad you’re looking forward to them – the Brent of Bin Bin books are probably only of historical interest these days, not like LMM’s Anne books. It would be interesting to write an essay about MF and LMM. LMM was the older, by 5 years, married and continued writing, and seems to have written for commercial gain (you complain a number of times during your wonderful reviews that her heart doesn’t seem to be in it). MF argued against marriage and child bearing, rejected a number of advantageous proposals, stopped the publication of her most successful novel, and continued to write, unpublished, while working at low wages in the not-for-profit sector.

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